Stan Chervin

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Daily Variety June, 1999




Daily Variety March 31, 1999


Daily Variety March 13, 2001

DISH: ABC, DOLLY VAMP MAE WEST TELEPIC

By MICHAEL FLEMING

NEW YORK -- After ABC's "Life With Judy Garland: Me and My Shadows" weighed in as the season's top-rated miniseries, the network is moving fast with two more films on Hollywood icons.

ABC is developing a film about the life of screen vamp Mae West as a vehicle for Dolly Parton, and the network just closed a deal to partner with Mandalay Television Pictures on a film about the lives of Bud Abbott and Lou Costello. Both projects are going forward under the auspices of movies and minis head Susan Lyne.

On the latter project, ABC just closed a deal that includes life rights to both members of the famed comedy team who split acrimoniously after being joined at the hip in vaudeville, movies and television. They didn't speak for most of their later years, until a tearful reunion on a segment of "This Is Your Life" that aired shortly before Costello died. Deal is considered a coup because the estates of both comics rebuffed frequent attempts over the years to assign life rights.

With rights part of the deal, the ABC telepic will be able to replicate Abbott and Costello routines, including the "Who's on First" routine that is so famous, it's included in the Baseball Hall of Fame. The network has hired Stan Chervin to write the script, and the project is being shepherded for the network by Heather Kadin. Chervin most recently wrote the Warner Bros. projects "Around the World in 80 Days" and "Moe Berg: The Catcher Was A Spy," a biopic to which George Clooney is attached as star and producer. The exec producers of "Abbott and Costello" are Elizabeth Stephen, George Paige and Tim Stephen.

The Mae West film also is in development, but the network is squarely aiming to land thrush Parton, who has long pined to play West, the sex goddess who gravitated from vaudeville to the bigscreen, pushing the envelope of screen sexuality during the 1930s. Project is being steered by ABC's Quinn Taylor.

While commercial feature busts such as the Frankie Lymon film "Why Do Fools Fall in Love" have made feature biopics a seriously tough gambit, TV has fared better. Recent ratings successes include ABC's "Beach Boys," "The Three Stooges" (this columnist wrote the book on which it was based and was a consultant) and "Audrey Hepburn," as well as NBC's "The Temptations" and HBO's "Introducing Dorothy Dandridge." The appeal is that the films can be done comparatively cheaply and quickly, and often draw marquee talent. ABC's courtship of Parton is an example, and CBS is looking for a star to topline its Groucho Marx biopic as well.

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